Céline Sciamma began with a trio of films about adolescents navigating through various phases of puberty, learning all on their own how to ...

Like most people, I think the best kind of robot is the kind whose chest opens up so it can shoot missiles or energy beams at its enemies. ...

Is there a difference between art and commercial product in cinema? What is it? In the 1950s when the auteur theory emerged, from Sarris to...

The period between 1977-1986 is what I’ve always considered the Golden Age of modern horror movies. Recently I’ve found myself feeling as...

After realizing that my taste in movies has always gravitated toward the dark, the next step is to narrow down what that means. Dark is too...

Fat's 2019 at the Movies Kind of a rough year for movies! After 2018's roundup , which was overstuffed with mediocre (at best) thri...

When a good pen comes around You must clic it! —Fat, after Devo Two things. One: In New Orleans last year, a hotel we stayed in gave me a ...

For some years now, our own redoubtable Tinzeroes has devoted himself to the documentation of our great land's more notable stand-up pis...

Kill Bill: Vol. 1 (2003, Quentin Tarantino) generated a treasure hunt for finding the sources of its many references upon its theatrical r...

Sometime around the beginning of the decade I had been watching several classic Hollywood movies, foreign art films, and obscure, challengi...