Tuesday, November 19, 2024

We cannot break the law we can only break ourselves of the law



Okay, first of all the thing about Juror #2 (2024, Clint Eastwood) is it’s got this they-don’t-make-‘em-like-this-anymore quality going for it. It’s the cinematic equivalent of comfort food. It didn’t take long for me to get into it, and once I did, I was relaxed, in no hurry for it to end, under its fuzzy calming lull.

     As courtroom drama, the genre blends well with its plot. The prosecuting attorney says something to the jurors early on like, “nobody wants to be here. That’s what makes you such ideal candidates.” Being stuck in the theater for 2 hours is very conducive to taking an active interest in this jury room. I’d forgotten what a joy it is to watch a movie that is so familiar you aren’t doing the exhaustive work in something like a say, Oppenheimer. But that isn’t to say the plot isn’t well executed, because it feeds you just enough to grow increasingly intrigued. 

     The dialogue in Juror #2 is mischievously adorned with so many double meanings you have to acknowledge it as pointing to the duality of justice. And yeah, sometimes it’s heavy handed, like when the defense attorney is in a 50/50 pointing right at Juror #2 talking about finding the guilty man who did this. But I love it. It’s my ham this Thanksgiving. 

     The theme of Juror #2 is morally complex. And it's constantly embodied by its characters; mainly the 2 couples. You’re indicted as being complicit when you ask yourself what you think of character moral dilemmas like “when you let her walk away alone in the rain at night is that how you treat someone you love?” I see 2 sides, and I don’t know. The midpoint for me is when Zoey Deutch hears “Old Quarry Rd.” That’s the point of no return. And like, what about all the awesome overt symbolism names like the accused SYTHE (as in grim reaper), prosecutor FAITH (as in believe in her to do what’s right), and JUSTIN (not quite justice but close enough). 

 

In closing, you’re with Justin because Nicholas Hoult has to be as nice and as good as he looks. And you see him struggle to do what he knows in his heart is right. And you want him and Zoey Deutch to be happy; until he makes his decision; and you realize it was never possible. When the credits roll it hits you that most people decide what justice is in their own minds, and the chills up your spine are because in reality the life or death verdicts are in the outcome of a bunch of random ordinary people who on any given day will probably succumb to their own prejudices.

 

11/18/2024 AMC Parkway Pointe 15

Atlanta, GA

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