Can you even begin to imagine if man were capable of bringing a rotting lifeless lump to life? I can’t either because Guillermo del Toro sur...

So me I’m a middle aged white male. A demographic that’s excluded from the our voices need to be heard or our stories must be told category ...

The late works of Sir Ridley Scott mock the mass going movie public. Ridicule their lack of sophistication. Their incapability of possessing...

It began in my early 20s. Deciding who my favorite director was. Anticipating the question to come along throughout the rest of my life. I c...

Plays like the apocalypse. Fassbinder’s final film. Expressionist character sexual safari. The thought of murder often evokes thoughts of th...

Lucid deathmarch. Drug addiction. Junk. Dope. Needle. Pills. Escape from the pain.   Veronika Voss   (1982, Rainer Werner Fassbinder) is in ...

Embrace the cuck. Accept it. Surface veneer (I know that’s redundant) of a 50’s Technicolor melodrama.   Lola  (1981, Rainer Werner Fassbind...

No stakes corny WWII Jew-Nazi romance thriller popcorn anomaly. Throw-away equivalent of fast food. But what fun.   Lili Marleen   (1981, Fa...

Can people change?   Berlin Alexanderplatz   (1980, Rainer Werner Fassbinder) is not only the crowning achievement of Fassbinder’s entire ca...

Art film espionage thriller spoof.   The Third Generation   (1979, Rainer Werner Fassbinder) takes aim at a terrorist cell whose members are...